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Super Famicom AnalysisJaki CrushJaki Crush — stories left
Stories left

Jaki Crush — stories left

Sentences written about this title, gathered by type from the Japanese and English Wikipedia articles (as of 2026-8-30).

Reception (5)

Game Powers Lord Mathias praised the visuals for their quality and "terrifying" graphical effects, rock opera-style sound, fun factor and challenge.

(English)English Wikipedia"Jaki Crush"from "Reception"

Echoing similar thoughts as Prézeau and Demoly, Video Games Jan Barysch expressed mixed feelings towards the graphical presentation and criticized the overall audio design, but noted that the game was playable and varied due to the constantly changing playfield and abundance of bonus rounds.

(English)English Wikipedia"Jaki Crush"from "Reception"

Aktueller Software Markts Hans-Joachim Amann praised the visual style and realistic behavior of the ball.

(English)English Wikipedia"Jaki Crush"from "Reception"

N-Forces Chris Rice and Carl Rowley found the graphics to be dark and sinister, but criticized the "rocky" soundtrack and slow action restricted to a single table, labeling its gameplay to be poor and repetitive.

(English)English Wikipedia"Jaki Crush"from "Reception"

Computer and Video Games Garth Sumpter commended its diabolic-themed graphical style and gameplay but ultimately found the title to be dull and uninspired, criticizng the monotonous music.

(English)English Wikipedia"Jaki Crush"from "Reception"

People (2)

Game Powers Lord Mathias praised the visuals for their quality and "terrifying" graphical effects, rock opera-style sound, fun factor and challenge.

(English)English Wikipedia"Jaki Crush"from "Reception"

However, Amann stated that its music tracks were mediocre and unfitting for gameplay, an aspect he felt it was not as "snappy" as Devil's Crush.

(English)English Wikipedia"Jaki Crush"from "Reception"

The passages quoted on this page are taken verbatim from the Japanese and English Wikipedia articles.Creative Commons Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) — reusable under those terms. They are the work of the people who wrote them.

Source: created by adapting the "Media Arts Database" (https://mediaarts-db.artmuseums.go.jp/) of the National Center for Art Research, National Museum of Art
Sources: Japanese and English Wikipedia, Wikidata
Sources: TASVideos (https://tasvideos.org/), speedrun.com (https://www.speedrun.com/)